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Forskningen min omfatter mellomengelsk litteratur, middelaldersk religiøs kultur, kvinneskriving, manuskriptstudier og feministisk, kjønns- og queer-teori.Hvordan formet kvinnelige lesere og forfattere litteraturen i middelalderen? Hvordan åpnet religionen nye muligheter for kvinner til å skape og engasjere seg i tekster, selv om den begrenset kvinner på andre måter? Hvordan fungerte bøker og tekster som mektige, hellige gjenstander? Lesing former selvet, vil litteraturkritikere over tid være enige om – men hva om lesing redder sjelen?

Jeg ble interessert i middelaldersk mystisk og visjonær skriving som en undergraduate ved Brown University og University of Oxford og ser ingen ende i sikte - fra min første artikkel om Julian of Norwichs retorikk om verdensrommet, til min nylige publikasjon om visjonære interpolasjoner i andaktssamlinger, til mitt neste prosjekt om Birgitta av alle disse kompliserte tekstene i England er fortsatt en utfordring for meg, og alle disse komplekse tekstene i England. Monografien min fra 2020, The Virgin Mary's Book at the Annunciation: Reading, Interpretation, and Devotion in Medieval England (Boydell & Brewer) ser ikke på én sjanger av tekst, men snarere på et tema på tvers av mange sjangre, medier og århundrer: Maria leser en bok ved kunngjøringen, når engelen hennes møter Kristus og Gabriel. Med fokus på mellomengelsk og latinske verk lest i England, argumenterer jeg i denne boken for at lesningen hennes tilbød en rik modell for tolkning gjennom kjøtt, sjel og sinn: morskroppen kunne faktisk muliggjøre sofistikert meningsskaping av tekster. Dette prosjektet tar en tverrfaglig tilnærming, og kombinerer litteratur med visuell kunst, for å spore en ny lesehistorie som ytterligere belyser kvinnens rolle i middelalderens litterære kultur.

De andre publikasjonene mine bruker en rekke metoder – nær tekstanalyse, paleografi og kodikologi, feministisk teori, queer-teori – for å undersøke hvordan religion og litteratur formet livene til middelalderfolk. Jeg er mest opptatt av skjæringspunktet mellom kvinners litterære kultur og andaktspraksis, fordi først nylig har dette feltet begynt å få skikkelig oppmerksomhet, og det er fortsatt så mange relevante manuskripter som er forsømt i bibliotekene, med snesevis av tekster uredigerte og ugranskede. Det er derfor mitt nåværende prosjekt går tilbake til arkivene for å stille et presserende spørsmål: hvordan og hvorfor var Birgitta av Sverige så utrolig populær blant engelske lesere i de 150 årene mellom 1380 og reformasjonen? Historien om Englands besettelse av den svenske visjonæren har potensial til å endre historien til kvinnelige forfattere.

Nylig: 

2024    “Women’s Religious Communities” (pp. 194-207), “Birgitta of Sweden” (pp. 222-3) and “Syon Abbey” (pp. 224-7), in Medieval Women: Voices & Visions, ed. Eleanor Jackson and Julian Harrison with a foreword by Kate Mosse (British Library).

2021    Anmeldelse: Unn Falkeid, Den hellige Birgitta. Enken som utfordret Europa. I Klassekampen, 25 september (på norsk).

2021    “Vision and Re-vision: Julian of Norwich and Philip K. Dick,” 1-2: 34-42.

2021    Religionsoraklene.no, “Hva betyr jomfru Marias bok i bebudelsen?” article and video, (20 April)

2021    Podcast, “My Favourite Mystic” with AJ Langley: Episode 4, Richard Methley.    (18 March)

Foredrag: 

2021    “St. Birgitta of Sweden: late-medieval England’s most popular saint?” Medieval Visionary Women lecture series, Jesus College Chapel, University of Oxford (30 Nov)

2021    “‘Writing—to the Moment’ in Richard Methley’s Mystical Diary Refectorium Salutis (1487),”&�Բ�����;University of St. Andrews, UK, Institute for Medieval Studies (16 Nov)

2021    “Narrative Time and Mystical Theology in Late Fifteenth-Century England,” University of Edinburgh, Scottish Network for Religion and Literature (15 Nov)

2021    “Richard Methley’s “new Manner of Writing—to the Moment:” Narrative Time and Mystical Theology in Late Fifteenth-Century England,” University of Oxford, Medieval English Graduate Seminar (20 Oct)

2021    “What Every Medievalist Should Know About The Virgin Mary,” University of Bristol, UK, Center for Medieval Studies, Research Seminar Series (7 October)

2021    “Was Birgitta of Sweden the Most Influential Female Author of Late-medieval England? A Detective Story,” Keynote Address, Birgittine Circles International Symposium, Stockholm [virtual] (19-20 Aug)

Courses currently in rotation at ���ϳԹ���Դ

ENG100: Introduction to Literary Studies

ENG125: Introduction to British Literature and Culture

ENG 200-level (upper undergraduate seminars): 

• Visions and Madness in Medieval Literature 

ENG 300-level (masters seminars):

• Chaucer After Theory
• Women Writers' Blazing Worlds
• Arthurian Literature: Medieval to Modern
• Thesis Writing Preparation for English Literature and Culture

Past courses at Michigan and Yale, undergraduate level

• Book of Monsters: Reading the Beowulf Manuscript
• From Table to Tablet: The History of the Book
• Sir Gawain and the Green Knight
• Shakespeare
• Vikings!
• Old English
• Introduction to Literary Study: Islands

20+ MA Theses advised or in progress at ���ϳԹ���Դ, on topics including:

• Ecocriticism, fairies and Middle English romance
• Malory and adultery
• Gender and LeGuin's Left Hand of Darkness and Griffith's Ammonite
• Cross-dressing in Shakespeare's comedies
• Gender and Margaret Cavendish's plays
• Satire in Chaucer's Canterbury Tales
• Character development in Siri Hustvedt’s novels
• Gender, trans theory, and the gothic genre in Shelley’s Frankenstein and Ian Banks’ Wasp Factory
• Medievalism in George R.R. Martin’s Song of Ice and Fire
• Death in Sir Gawain and the Green Knight, purgatory visions, and Chaucer’s Canterbury Tales
• Competition in Mount Everest summiting narratives
• �󲹳ܱ���Ա��’s&�Բ�����;Go Down, Moses
• Ecocriticism and Thomas Hardy’s Return of the Native
• �Ҳ���������’s&�Բ�����;Cranford
• �󾱳ٳ������������’s&�Բ�����;The Great Gatsby and Wharton’s House of Mirth
• Animal studies, ethics, and novels narrated by horses
• Jane Eyre and folklore studies

MONOGRAPH

2020     The Virgin Mary’s Book at the Annunciation: Reading, Interpretation, and Devotion in Medieval England (Woodbridge, UK: D.S. Brewer), 312 pp.

• Paperback, May 2022
• Winner, 2021 Frank D. and Elizabeth D. Brewer Book Prize, American Society of Church History (for outstanding scholarship in the history of Christianity by a first-time author)
• Winner, 2022 First Book Prize, Society for Medieval Feminist Scholarship
• Reviews: Speculum, Journal of the Early Book Society, Studies in the Age of Chaucer, Medieval Feminist Forum, The Medieval Review, International Journal for the Study of the Christian Church, Revue d’Histoire Ecclésiastique, Archiv für das Studium der neueren Sprachen und Literaturen, CHOICE

EDITED WORK

2020     Co-edited with Diane Watt. Colloquium of 7 essays on “Women’s Literary Culture and the Medieval English Canon: Gender and Genre,”&�Բ�����;Studies in the Age of Chaucer 42 (2020): 283-376.

PEER-REVIEWED PUBLICATIONS: JOURNAL ARTICLES & VOLUME CHAPTERS

2023    “Redeeming Across Time: Philip K. Dick, Julian of Norwich, and the Art of Lifelong Revision” in Mystics, Goddesses, Lovers, and Teachers: Medieval Visions and Their Modern Legacies – Studies in Honour of Barbara Newman. Medieval Women: Texts and Contexts Series Vol. 31 (Brepols), pp. 155-170.

2023    “Syon Abbey and the Birgittines” in Women and Medieval Literary Culture from the Early Middle Ages to the Fifteenth Century, ed. Corinne Saunders and Diane Watt (Cambridge University Press), pp. 104-123.

2023    “Birgittine Borrowings in the Middle English devotional compilation Meditaciones domini nostri,” in Birgittine Circles: People and Saints in the Medieval World, ed. Mia Åkestam, Elin Andersson & Ingela Hedström, KKHA Konferenser no. 110 (Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien), pp. 11-37.

2022    Co-authored with Samantha Katz Seal. “Gender/Queer” in Routledge Companion to Medieval English Literature in a Trans-European Context: 1100-1500, ed. Raluca Radulescu and Sif Rikhardsdottir (Routledge), pp. 404-415.

2021    “‘Writing—to the Moment:’ Narrative Immediacy, Mystical Theology, and the Sanctification of Time in Richard Methley’s Refectorium Salutis,”&�Բ�����;Viator 51 No. 2 (2021 for 2020): 297-333.

2021     “Beinecke MS 317 and its New Witness to the Latin Door Verses from London Charterhouse: A Story of Carthusian and Birgittine Literary Exchange” in Manuscript Culture and Medieval Devotional Traditions: Essays in Honour of Michael G. Sargent, eds. Jennifer N. Brown and Nicole Rice (York Medieval Press / Boydell & Brewer, March 2021), pp. 3-24.

2021     “Introduction” (pp. vii-liii) and translation of “To Hugh Hermit” (pp. 149-155), in The Works of Richard Methley, trans. Barbara Newman. Cistercian Studies Series No. 286 (Liturgical Press, Jan 2021).

2020     Co-authored with Diane Watt. “Introduction” to colloquium on Women’s Literary Culture and the Medieval English Canon: Gender and Genre, Studies in the Age of Chaucer 42 (2020): 285-293.

2020     “Canon, Anon., a Nun: Queering the Canon with Medieval Devotional Prose.” Studies in the Age of Chaucer 42 (2020): 295-310.

2020     “The Living Book of Cambridge, Trinity College MS B.15.42: Compilation, Meditation, and Vision,” in Late Medieval Devotional Compilations in England, ed. Marleen Cré, Diane Denissen, and Denis Renevey (Brepols), pp. 363-384.

2019     “Queer Touch Between Holy Women: Julian of Norwich, Margery Kempe, Birgitta of Sweden, and the Visitation” in Touching, Devotional Practices and Visionary Experience in the Late Middle Ages, ed. David Carrillo-Rangel, Delfi I. Nieto-Isabel, and Pablo Acosta-Garcia (Palgrave), pp. 203-235.

2018     “‘Syon gostly’: Crafting Aesthetic Imaginaries and Stylistics of Existence in Medieval Devotional Culture,” in Emerging Aesthetic Imaginaries, ed. Lene Johannessen and Mark Ledbetter (Lexington Books), pp. 79-91.

2017     “An Unnoticed Borrowing from the Treatise Of Three Workings In Man’s Soul in the Gospel Meditation Meditaciones Domini Nostri,”&�Բ�����;Journal of the Early Book Society 20: 277-284.

2015     “Playing Editor: Inviting Students Behind the Text,”&�Բ�����; 6: 41-47.

2014     “The Origins and Development of Mary’s Book at the Annunciation,”&�Բ�����;Speculum 89: 1-38. 

• Winner, 2014-2015 Prize for Best Article, Society of Medieval Feminist Scholarship
• Article of the Month, May 2015, : Medieval Women and Gender Index

2012     “St Bridget of Sweden” in The History of British Women’s Writing, Vol. 1: 700-1500, ed. by Diane Watt and Liz Herbert McAvoy (Palgrave), pp. 207-215. 

2011     “Looking in the Past for a Discourse of Motherhood: Birgitta of Sweden and Julia Kristeva,”&�Բ�����;Medieval Feminist Forum, Volume 47.1: 52-76. 

• Winner, 2010 Prize for Best Article by a Graduate Student, Society for Medieval Feminist Scholarship

2011     “Richard Methley and the Translation of Vernacular Religious Writing into Latin” in After Arundel: Religious Writing in Fifteenth Century England, ed. Vincent Gillespie and Kantik Ghosh (Turnhout: Brepols), pp. 449-466. 

2010     “Scribes at Syon: The Communal Usage and Production of Legislative Texts at the English Birgittine House” in Saint Birgitta, Syon and Vadstena. Papers from a Symposium in Stockholm 4-6 October 2007, ed. by C. Gejrot, S. Risberg & M. Åkestam (Stockholm: Kungl. Vitterhets Historie och Antikvitets Akademien), pp. 71-88.

2008     “Space and Enclosure in Julian of Norwich’s A Revelation of Love” in A Companion to Julian of Norwich, ed. by Liz Herbert McAvoy (Cambridge: Boydell and Brewer), pp. 154-165. 

2008     “Julian of Norwich and St. Bridget of Sweden: Creating Intimate Space with God” in Rhetoric of the Anchorhold: Space, Place and Body within the Discourses of Enclosure, ed. by Liz Herbert McAvoy (Cardiff: University of Wales Press), pp. 127-140.

CURRENT PROJECT - from August 2019

2019-2026, Norwegian Research Council Young Research Talents Grant (8,000,000 NOK / ~$915,000):

“ReVISION: Re-assessing St. Birgitta and her Revelations in Medieval England: Circulation and Influence, 1380-1530”

In the medieval period, one of the most common genres of writing that women produced was the visionary account. Holy woman Birgitta of Sweden (1303-73) was well-known across the Continent and in England through her huge collection of divine visions, the Latin Revelations, which was translated into many vernaculars. However, our understanding of Birgitta’s influence in England is uneven because most of her English texts have not been edited, and her influence on literature and religion remains understudied.  

This project proposes the first comprehensive study of the full impact of Birgitta and her Revelations on medieval England. How were her texts received and circulated, and what was the extent of her influence? A bold overarching hypothesis will be tested: that from around 1380 until the English Reformation in the 1530s, Birgitta was in fact the most influential female author in medieval England, indelibly shaping English society - and, at the same time, the English also shaped Birgitta and her texts to fit their own needs and tastes, sometimes through dramatic adaptation.

In order to test this hypothesis, the project combines three innovative methodologies. First, we will create a multi-faceted, open-access database of English manuscripts and other evidence related to Birgitta. Second, select Middle English versions of Birgitta’s Revelations will be edited for the first time, in both print and digital editions. Third, we will produce network graphs that can illuminate how Birgitta’s texts circulated in England, and how her influence spread. Finally, with all this knowledge combined, our analysis will enable us to suggest a new narrative of women’s writing in England, centered on Birgitta of Sweden as the most influential female author. Altogether, the project could advance our understanding of how gender, authorship, and religious literature functioned in late medieval England.

NORSK

I middelalderen var en av de vanligste typene av tekster som ble produserte av kvinnelige forfattere visjonære tekster. Den hellige kvinnen Birgitta av Sverige (1303-73) var kjent over hele kontinentet, og i England, gjennom sin enorme samling av guddommelige åpenbaringer. Den latinske Revelationes, ble oversatt til mange folkespråk. Imidlertid er vår forståelse av Birgittas påvirkning i England fremdeles utydelig fordi de fleste av hennes engelske tekster ikke har blitt redigert. Hennes innflytelse på litteratur og religion er derfor fremdeles et uutforsket felt.

Dette prosjektet legger opp til den første omfattende studien av Birgitta og hennes  Åpenbaringers fulle innflytelse i middelalderens England. Hvordan ble hennes tekster mottatt og sirkulert, og hva var omfanget av hennes innflytelse? En dristig overordnet hypotese som vil bli testet er at fra rundt 1380 til den engelske reformasjonen på 1530-tallet var Birgitta den mest innflytelsesrike kvinnelige forfatteren i middelalderens England, med en uutslettelig påvirkning på det engelske samfunn. Samtidig endret engelske lesere Birgitta og hennes tekster for å passe til sine egne behov og preferanser, noen ganger ved noen dramatisk tilpasninger av tekstene.

For å teste denne hypotesen, kombinerer prosjektet tre innovative metodiske tilnærminger. Først skal vi opprette en mangefasettert database med engelske manuskripter og annen dokumentasjon relatert til Birgitta med åpen tilgang. For det andre vil flere av de engelskspråklige versjonene av Birgittas Revelationes for første gang bli redigert, både i trykte og digitale utgaver. For det tredje skal vi lage nettverks grafer som kan belyse hvordan Birgittas tekster sirkulerte i England, og hvordan hennes innflytelse spredte seg. Til slutt, gjennom en kombinasjon av alle denne kunnskapen, vil vår analyse gjøre det mulig for oss å presentere en ny fortelling om kvinners forfatterskap i England, med fokus på Birgitta av Sverige som den mest innflytelsesrike kvinnelige forfatter. Samlet kan prosjektet fremme vår forståelse av hvordan kjønn, forfatterskap og religiøs litteratur fungerte i middelalderens England.

MONOGRAPH

 (Woodbridge, UK: Boydell & Brewer, 2020)

To the modern viewer, Mary’s book at the Annunciation seems so familiar: it is a commonplace in the hundreds of late medieval and Renaissance Annunciation paintings which cover the walls of our museums. But to the early medieval Christian, this was a new innovation which transformed the Annunciation scene into an accessible example of text-based spiritual devotion and prayer to God. This project examines the development of the motif of Mary’s book in the literature and art of medieval England, and how the Annunciation scene offered a vital model of reading, devotion, and vision remarkably adaptable to a plurality of audiences including both enclosed women and lay readers.