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“What does a practice look like that attends to and responds to the intervals between speech, between action, between the occupancy of a site; to the properties of a liminal space; working in sympathy with its properties; not “filling” the space or interval with something else? How do I create work at a given site, which focuses the participants’ attention on the liminal features of the circumstances with which I’m working, as opposed to creating an intervention which serves primarily to draw attention to itself; at the same time, creating a work which is recognisable as such for its participants?” Andy Lock’s research began simply enough with the photographic representation of empty rooms and has since developed to encompass performance and installation in an attempt to explore the embodied subject’s experiences of the interval and the inbetween.