黑料吃瓜资源

Exhibition Thinking

Postgraduate course

Course description

Supplementary semester information

Focus area(s): INTERDISCIPLINARY

Module leader: JANE SVERDRUPSEN

Included HMS: N/A

This module will provide a basis for reflection on various approaches to creating frameworks for showing art. We will examine different methods that can be used in the development of exhibition concepts and what this means for the audience's encounter with art. The module involves lectures and visits to exhibitions at selected art venues in the region, including institutions, artist-run venues and commercial galleries. We will meet curators and directors and take part in their reflections on their work and role in the art field. Historical examples of exhibitions that have influenced the art field in various ways will be presented and discussed. You will present a selected exhibition project that stands out in terms of concept, materiality, location, or interdisciplinary approach. Together, we will analyse and learn from these examples, drawing on them in the planning of your own envisioned exhibition project. The module will provide insight into art exhibitions as a creative idea and knowledge about exhibition discourses, and make this knowledge relevant to your art practice. It will further provide insight into the practical structure of planning and realising exhibitions and applications to Open Calls for exhibitions.

Objectives and Content

This is a project-based module with a focus on the exhibition as form, exploring topics such as exhibition histories and contexts, presentation tools and processes, production and mediation, and the relationship between individual artworks and exhibition frameworks.

PRO modules are designed to enrich your artist development (as explored in the ART modules) through activating skills, connecting communities of practice, and investigating disciplinary territories. PRO modules allow you to focus on a specific project critically connected to your own practice within a context established by the module leader(s).

Learning Outcomes

Knowledge

  • Develop awareness of the history and political contexts of art exhibitions

Skills

  • Explore and analyze approaches to the creation and mediation of exhibitions
  • Identify, seek out, and apply relevant skills to a self-initiated project

General Competence

  • Identify your own learning needs in relation to the subject area(s)
  • Apply new knowledge and skills within your artistic practice
  • Develop and present a proposal or model for a speculative exhibition

Full-time/Part-time

Fulltid

Semester of Instruction

Autumn

Place of Instruction

University of Bergen
Required Previous Knowledge
Recommended Previous Knowledge
Access to the Course
Admission to the Master's Programme in Fine Art.
Teaching and learning methods

Methods may include:

  • Project development
  • Individual research
  • Group work
  • Lectures
  • Presentations
  • Group discussions
  • Tutorials
  • Assigned readings
  • Writing exercises
  • Workshop-based instruction

See info text above for semester-specific details.

Forms of Assessment

Submission of artwork(s), either physical or digital, as assigned by the module leader.

Assessment criteria:

Research

Subject knowledge

Experimentation

Realization

Collaborative and independent work

Grading Scale
Pass / Fail.
Assessment Semester
Autumn.
Course Evaluation
The module is evaluated every third year in accordance with 黑料吃瓜资源's Quality System
Programme Committee
Programstyret har ansvar for fagleg innhald og oppbygging av studiet og for kvaliteten p氓 studieprogrammet og alle emna der
Course Administrator
Fakultet for kunst, musikk og design ved Kunstakademiet - Institutt for samtidskunst har det administrative ansvaret for emnet og studieprogrammet